Yilan crater is the second discovered impact crater in China, and was revealed to the public in 2020. What makes it unique is that its southern rim has eroded away while its northern rim remains visible. However, the crater didn't receive much public attention. To increase its visibility, the local government wants to partner with us for a game promoting the site. Their goal is not only to highlight the crater itself, but also to boost tourism in Yilan town.
The protagonist lived in the Yilan town when she was a child. One day, while wandering near the crater site, some mysterious phantoms led her to the crater's center. There she discovered evidence proving it was an actual impact crater. When the protagonist grew up, she became a actual crater researcher and scientifically analyzed the evidence from her childhood discovery. Finally, she held a press conference to announce her findings, where reporters and fellow researchers asked more detailed questions on the crater.
From the initial essay on Yilan Crater, we get to know about the actual research methods on the crater. After deciding what the protagonist should search for, we divide the game into 3 levels. On each level, she will respectively find: - lake sediments - mammoth fossil - granite sample
Based on the timings provided by the original essay, we decided that each level present a timing of Yilan crater, and the protagonist should travel back in time to find according evidence. But how do she travels back in time? Her grandmother was a shaman who gifted her a special relic. When she entered the crater, it was the relic that expose her to magical phantoms and visions from the past. Through these, she witnessed the meteorite's ancient impact on the land thousands of years ago.
The first level is the one and only night scene of the game. Due to the dense fog and the faint moonlight, it's hard to make out things well. To address this issue, I placed glowing timber trunks with shamanic patterns along the path. I believe this greatly adds to visibility while maintaining the desirable overall atmosphere. At the end of the level, there's a mystic lake with multiple shamanic artifacts. Upon player's arrival, thousands of fish phantoms burst out and fly away. This is achieved by Unity VFX Graph. The patterns of shamanic artifacts were referenced from this video.
As the fish phantoms advance, the protagonist will automatically follow them along the path. However, since the path twists, the player must skillfully navigate turns as the protagonist approaches them. Moreover, the player must crouch or jump in time to avoid hitting into the obstacles that's blocking the way. The dense fog of this level makes the gameplay even harder, requiring players to react quickly since they only see obstacles when they're close. They have about two seconds to press the right key, either 'Ctrl for gliding' or 'Q for left turning.'
The second level takes place during winter daytime, featuring a much brighter atmosphere. Given Yilan Crater's location in northeastern China, we decided to cover the whole crater with snow. We refers to the idea of maze while designing the forest path. After the player navigates through the twisted path, there is be a spacious open area with snow-covered mountains. It can be seen that mammoth skeletal remains stand on the snowy ground the mountains.
In this level, player needs to follow mammoth footprints within a time limit. With reference to real-life elephant footprints in the snow, we made the mammoth's footprints more noticeable in this game, to help players locate them easily. Player has 15 second to reach the first footprint, and upon reaching each subsequent footprint, additional seconds are granted. The ultimate objective is to reach the end before time runs out. When the player reaches the end, mammoth phantoms suddenly arise and all rush towards the player. The player must dodge them while going forward.
Level three share a similar color tone and atmosphere with level two. The gameplay happens in the centre of a giant altar, with stone statues and shamanic flags surrounding it. Additionally, that there's a dragon-like pattern on the snow ground. The primitive people grouped together at this altar, celebrating for the arrival for the meteorite. They were unaware of the scientific explanation or its potential impact on Earth. Instead, they believed this was an act of god.
The primitive people sit in a circle on stone stools, taking turns making religious dances to celebrate the meteorite's arrival. The protagonist joins the circle and mimics their moves, and she must make the corresponding move when it's her turn, which is somewhat similar to a rhythm game. The gameplay is straightforward with provided button hints, yet the player must pay attention to the primitive people's changing direction and sudden accelerations. The meteorite struck the ground shortly after the celebration began, destroying the visions that the protagonist see.
At the conference, the protagonist presents her findings to the audience. After she finishes her words, the audience starts to ask more in-depth questions. For example, "What caused the unusual erosion of Yilan Crater's southern rim?" We provide several reply options for the player to choose from. However, even if the player get it right, the audience will proceed to ask about the evidence supporting that viewpoint. Then, the player will have to choose from the evidences she collected before in the previous three levels, and make the correct connection between evidence and viewpoint.
As mentioned earlier, the game was made in corporation with Yilan government. After the game is developed for 3 months, it got into a public exhibition, where anyone can playtest it. Later on, I got interviewed by Unity China, and they published a dedicated short video on their account introducing the game. On Dec 21,2023, we got to present our game at an official seminar held by Unity China, both to the offline audience and those watching the livestream.
In Level 1, fish phantoms guide us through the twisted forest path. I scripted their behavior to follow the given path and to turn at each turning point, eliminating the need for manual animation.
At the end of level 1, hundreds of fish phantoms burst out. To avoid animator, I made a script that spawns and moves the fish prefabs. It enables easy adjustment of the fish quantity for testing the optimal balance between visual impact and performance hit.
This script generates mammoth phantoms in various slots at fixed intervals. It utilizes an enhanced random algorithm to prevent repetition. This ensures the rare occurrence of all mammoth phantoms appearing in the same slot.